The Bravery
Stir the Blood
Island
By Chris Homer
The Bravery’s third album, Stir The Blood, is packed with the sort of noisy synth-pop you’d
expect from the
Right away, Stir The Blood smacks you with dark key melodies blasting quickly over fuzzed-out guitars on the opening track, “Adored.” The industrial key sounds give way to a surprisingly sunny, high-energy chorus, showing The Bravery’s smart balance between dense, dark sounds and danceable pop that fills the album.
“Song for Jacob” follows “Adored” and shows more of the band’s pop sensibility. Here, fluttering new wave key playing fits perfectly into the pounding bass line of the chorus to build impact. Like “Song For Jacob,” “I Am Your Skin” and “The Spectator” are also built around airy, dance-inducing pop beats.
While “Slow Poison,” may lack the huge pop hooks of other songs on Stir The Blood, it nonetheless becomes one of the LP’s strongest points. The distortion of Sam Endicott’s vocals mixed with the shrill key melodies hiding deep in the mix creates a very textured song that’s fascinating to listen to. Likewise, “I Have Seen the Future” is a richly constructed track that plays off the dichotomy of dingy electro-programming and a triumphant, poppy chorus.
The Bravery shines the most on the Stir the Blood songs grounded firmly in dance-punk. “Hatefuck,” despite its eye-rolling title, is the album’s best effort thanks to frantic drumming from Anthony Burulcich, punk rock guitar riffing and a driving key part. It could very well be the band’s best song since their 2005 breakout single “Honest Mistake.” “Jack-O’Lantern Man” shares this fast paced synth rock sound well. Stir The Blood would definitely benefit from more tracks that sound like these two.
Stir The Blood may not mark a new creative height for The Bravery, but it is still a strong effort. The band has very few misses on the album, with the exception of the drawn-out ballad “Sugar Pill” that closes the LP. Fans of either of The Bravery’s two previous albums will not be let down by this one.
